They were long gone when that picture was taken. Looking closer at the back cover picture there is neither Rufino nor Podestá on it.
The long play albums originally sold for $1.98 retail and consisted of ly monoaural recordings, often drawn from 78-rpm masters.” It specialized in reissuing historic classical and popular recordings from the extensive RCA Victor catalog.
“The label was named after Camden, New Jersey, original home to the Victor Talking Machine Company, later RCA Victor.
#El choclo tango instrumental series#
In this series the record numbers with the prefix CAL were for records in mono and the prefix CAS was used for stereophonic transfers (on the stereo CAS-3080, there is an alternative front cover, a collage of several portrait photographs of Carlos Di Sarli). Tango vinyls are difficult to date because dates were rarely indicated on the records mostly to keep them as evergreens and especially this LP series was on for a long time. It is therefore a posthumous edition as Di Sarli died on. The record is a re-edition of inital shellac releases, it was issued in the series RCA Camden Coleccionista (CAL-3080) somewhere in 1967. A choice somehow exclusively limited to these two, indeed important singers, but not the only ones … Nevertheless, this is a strong statement, the editor who prepared the LP tells us: “The best of Di Sarli is Rufino, Podestá and some instrumentals and nothing else. I expect a lot of people would refute that selection and consider it a non-representative sample of what should be considered “The Best of Carlos Di Sarli”. The record is called “The Best of Carlos Di Sarli” and indeed there has been a particular selection on the 2 times 7 tracks: There are exclusively recordings with the singers Roberto Rufino and Alberto Podestá, each represented with 5 recordings and there are 3 instrumentals on each side, 6 instrumentals altogether. On the present LP album, it’s a little bit different. Let’s investigate this …įrom CD collections we know that most of the time the editorial effort is quite low (unless there is an interesting extra booklet or some liner notes), essentially we will find on the typical tango CD a list of around 20 tracks which follow a chronological order from the earliest recording to the latest. The picture on the back cover seems at first glance out of context and completely unrelated to the record because it’s showing the later Di Sarli outfit from around the mid-1950s! That’s really strange and it took me some time to get all the puzzle pieces together but then this picture gives a lot of information about the Di Sarli orchestra, also some unexpected information. Checking the tracklist on the back cover there are some instrumentals and the rest are recordings with Roberto Rufino and Alberto Podestá from the 1940s. The hand-drawn aspect of the typography reminds a bit the fileteado art of Buenos Aires. On the front cover there is a charcoal drawing of Carlos Di Sarli and to the left side his name: “Carlos Di Sarli” written in yellow and red on a big off-white background, a relatively minimalist graphic front cover. The record’s title is “Lo mejor de Carlos Di Sarli”. Mysterious because of a picture on the back cover which doesn’t seem to be contemporary to the recordings contained on the album. Notes: The current error page you are seeing can be replaced by a custom error page by modifying the "defaultRedirect" attribute of the application's configuration tag to point to a custom error page URL.The other day I had this mysterious Carlos Di Sarli RCA vinyl LP in my hands. This tag should then have its "mode" attribute set to "Off". It could, however, be viewed by browsers running on the local server machine.ĭetails: To enable the details of this specific error message to be viewable on remote machines, please create a tag within a "web.config" configuration file located in the root directory of the current web application.
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